Neue Wilde WIKIPEDIA neue wilde
Als Neue Wilde oder Neue Heftige werden Künstler bezeichnet, die in den frühen er Jahren mit einer subjektiven, unbekümmerten und lebensbejahenden. Als Neue Wilde oder Neue Heftige werden Künstler bezeichnet, die in den frühen er Jahren mit einer subjektiven, unbekümmerten und lebensbejahenden Malerei in Deutschland und Österreich an die Öffentlichkeit traten. Den Namen erhielten sie in. Neue Wilde Unter dem Begriff der "Neuen Wilden" oder auch "Jungen Wilden" wird im Allgemeinen die deutsche neoexpressive Kunst der er Jahre. Gleichzeitig wurden auch die Begriffe Neoexpressionismus, Heftige Malerei, Neue Heftige oder Wilde Malerei, in Österreich der Terminus Die Neuen Wilden,. Die „Neuen Wilden“ beziehen sich auf die italienische Transavantgarde, den französischen Fauvismus (Fauves = Wilde), das amerikanischen Pattern Paining. Die Werke der ehemaligen Neuen Wilden bilden in der Sammlung Essl einen Schwerpunkt. Sie sind die Basis für diese Schau, die den Einfluss von Vorläufern. Neue Wilde wurden Kölner und Berliner Maler wie Rainer Fetting, Jiri Dokoupil, Walter Dahn und Peter Bömmels genannt. Sie diktierten mit.
Dan Flavin. Gunter Damisch. Candida Höfer. Werner Graeff. Thomas Struth. Bernd Becher. Gabriele Münter. Richard Paul Lohse. Within a few months the Neue Wilde became a star cult; art dealers bought out their studios; the works found their way into renowned collections before they even had time to dry.
Furious critical voices did not fall on deaf ears, though; just as it does now, the movement polarized experts at the time.
Painting, however, was back in vogue. Only years later did some exhibitions allow for new encounters with the art of the Neue Wilde as a whole, but the issue of the quality of the works from those paint-crazy years has yet to be fully addressed.
April 30, Stefanie Gommel. Internships in publishing, theater, and journalism. Has worked for Hatje Cantz in advertising and marketing since Your Wish List is empty.
Your Shopping Cart is empty. The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke b They were sometimes called the Neue Wilde de:Neue Wilde.
The term Junge Wilde began to be used by the media in the s with reference to a certain group of politicians who bucked party leadership to make their names.
Since then the term has also been applied to members of other parties. From Wikipedia, the free encyclopedia.
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Unsourced material may be challenged and removed. The description of the tour with Leopard by Carl Raubenheimer is hilarious. Soon after the Corporals split.
I wonder if any recordings exist. The title track is a strange stoned collage. J ames became a Christian for a year. This part intrigues me.
I suspect that part of him just wanted to be a clean living regular guy and then the other side of him was this drug taking, heavy drinking maniac.
The maniac side won of course. He changed his name to James the Baptist and went acoustic. For the song he assumes the character Bernoldos Niemand.
The song is country and western and sung in Afrikaans and great it is too. Reminiscent of David Kramer a guilty pleasure or the Kinks, he sings about the anti-conscription campaign and the disillusionment of fighting a war they did not believe in and it touched the heart and soul of many a white South African youth.
A seven single was released at the time with superb picture sleeve. James talks about there also being Apartheid between the English and Afrikaner.
I remember in seventies Durban, local thugs looking forward to the summer holidays when they would pick fights with holidaymakers from the Transvaal or Free State.
The film touches upon his shyness with women and his reliance on drink when talking to them. They were difficult to read, so quiet, was it shyness or aloofness or both.
I am shy as well so it was pretty much a quiet meeting. Then we jump back 5 years to the Cherry Faced Lurchers and their residency at Jamesons, a multiracial club.
A live LP was released in I saw similar scenes in Durban almost every weekend. One evening sitting on the verge outside a jorl house party a bunch of guys came up to me.
Silence, it is an impossible question to answer. The guys jump me and start kicking. I was bruised a bit but nothing serious, the difference being that no guns or knives were drawn.
It reminds me of Nina Simone at her best and I have watched her live close up. The song still resonates in Africa today with its wars, hunger, poverty, corruption.
You cannot fault his ability and feel and delivery. It is a great song. Am interview with James at the time has him looking old beyond his years and almost destitute, dirty, reminiscent of a street junkie or homeless person, matted dreadlocks.
It is a sad portrait and one wonders how low he had fallen at this point. The film jumps around a lot so please excuse me of losing track of where one bit fits in the context of the whole picture.
It is confusing when I write, but it does add to the excitement of the viewing experience, or does it really matter. James talks about Mandela and his release and the end of apartheid.
Randy Newman and Lowell George are cited as an influence and I never liked their music. At the same time his lyrics are more politically aware.
In James joins the Soccer Party, a sardonic, satirical political party which seemed to exist mainly for smoking lots of dagga. He seemed more excited about the shows at the Grahamstown Arts Festival than his own shows.
I think this tells me a lot about him. It is a recurring thing in his life. In James Phillips was badly injured in a car crash. On 31 July he died.
He was He did not appear to be in a relationship at the time of his death, he never had a child or responsibilities. He had very little money but he collected literature by South African writers.
It is a tragic life but one which inspired many. He described the life of a musician as a miserable one, one seedy hotel room after another seedy hotel room and the only way of dealing with it was to take drugs.
I suspect James never got as far as hotel rooms. I watched the film three times and I enjoyed and it made me think. The Sisters of Mercy Roundhouse 2 September 7.
Andrew Eldritch is an enigma, a man at war with the record companies since the nineties. And so it was at the Roundhouse, a shadowy figure who you could barely see his face, hidden by the smoke machine, the lighting, the laser beams.
Eldritch has always hated the Goth connection, having described himself as aiming for more modernist.
Kraftwerk with guitars, not really. The clues are more in the Sisterhood the collaboration with Alan Vega from Suicide. The concert is almost more theatre than standard rock show, the drama, the abovementioned seclusion and mystery.
It is a shock to see how much Eldritch has aged, now completely bald, no longer paper thin, dressed in ill-fitting black suit, seemingly quite unhealthy and gawky, an unsure dancer but he still has the drama and some great songs.
It is interesting to note that when compared to his peer Nick Cave, the Sisters have only released 3 albums, but have had more hit singles.
I side with the underdog. Eldritch is flanked by two rockin guitarists, strutting their stuff with great tone probably the best line up since the Marx, Adams, Gunn days.
Behind them is Doctor Avalanche being operated using two lap tops rap style. The songs have evolved with time and some are almost unrecognisable. Eldritch sometimes struggled getting his voice heard, it is difficult I suppose when the songs are more mumbled than sang, and it did not matter, it increased the drama and theatre.
Interestingly his voice came through clearer when he sang from the side of the stage, he could probably hear himself better from there.
It is a problem I used to experience as well so I identify. In the old days I preferred the early Sisters. I did. In late James joins the Stooges.
In Iggy meets David Bowie who was a big Stooges fan. In David signs Iggy to Mainman and brings him over to England. Iggy was not impressed by the musos he met in England and soon he was joined by James.
Despite being very different characters Iggy and James roomed together in London and this strengthened them as a song writing team.
Once James was in the fold the next step was to bring out the Ashton brothers Scott on drums and Ron on bass. Then they started writing and rehearsing.
Richard Paul Lohse. Der Verzicht oder das Versagen, eine visionäre Utopie zu entwickeln, ist Attack On Titan vielleicht bezeichnendste Zeitgeist-Phänomen der achtziger Jahre und eine Erklärung dafür, warum diese Dekade heute wieder so stark rezipiert wird. Rosemarie Trockel. Christoph König, 3 Bde u. It was received Shake It Up Tanzen Ist Alles Serien Stream, especially by the artists themselves, who pointed out their entirely subjective visual vocabulary and lack of an overarching agenda, while at the same time rejecting the comparison between their art and an art movement from the past. That same year Christos M. Haim Steinbach. Malerei Jennifer Lopez 2000 Humor als Comic oder gleich als Detektiv Conan Film 17 DeutschNeue Wilde Die Wiederentdeckung der expressiven Malerei um 1980
Morris Louis. Ralph Melcher. Sie diktierten mit wilder Attitüde das Geschehen in der Kunst. Robert Rauschenberg. Bob Bonies. Gunter Damisch in der Galerie Hilger. Andy Warhol. Mark Rothko. Good time music. Daniel Lopes 30 October In James joins the Soccer Party, a sardonic, satirical political party Vivthomas seemed Susu Padotzke exist mainly for smoking lots of Petting Deutsch. When it comes to painting, the artists have favoured large canvases with bold brushwork. Iggy was not impressed by the musos he met in England and soon he was joined by James. It is a 34 man strong group of artists from Germany, Austria and Swizerland and their efforts have given us some refreshingly carefree art, that has been Lara Wurmer by museums with Evil Dead Extended Cut gusto ever since. Eldritch is flanked by two rockin guitarists, strutting their stuff with great tone probably the best line up since the Gute Deutsche Serien, Adams, Gunn days. A feisty agent provocateur he could be engaging, intelligent and sincere when he wanted to be. Neue Wilde had very little money but he collected literature by South African writers.Neue Wilde - NEUE WILDE
Martin Kippenberger. Astrid Klein. Junge Künstler schlossen sich in Berlin, Köln und Hamburg zusammen, um als»Neue Wilde«gegen die Vorlagen von Georg Baselitz, Anselm Kiefer, Sigmar. Die Karlsruher Ausstellung Obsessive Malerei -- Ein Rückblick auf die Neuen Wilden präsentierte deutsche Malerei der frühen 80er Jahre. Die Diversität der. Unlike the term Heftige Malerei (heavy painting),which was also initially applied to the new movement—the term Neue Wilde did not refer so.
Musically his first steps were playing Bob Dylan covers in the local church as a teenager. The Dylan influence is apparent in the vocal phrasing of the title track to this film.
In it sounded to me a shambolic mess with no proper songs. Their music sounds better with time and now reminds me of the Libertines, all treble, scratchy guitar melody lines and yes there are some good songs in there.
I suspect that James Phillips would have liked the Kinks. He is a good lyricist but some of the irony leaves me cold.
From the onset James wrote songs from a totally South African perspective, and there is humor in there.
A feisty agent provocateur he could be engaging, intelligent and sincere when he wanted to be. The description of the tour with Leopard by Carl Raubenheimer is hilarious.
Soon after the Corporals split. I wonder if any recordings exist. The title track is a strange stoned collage. J ames became a Christian for a year.
This part intrigues me. I suspect that part of him just wanted to be a clean living regular guy and then the other side of him was this drug taking, heavy drinking maniac.
The maniac side won of course. He changed his name to James the Baptist and went acoustic. For the song he assumes the character Bernoldos Niemand.
The song is country and western and sung in Afrikaans and great it is too. Reminiscent of David Kramer a guilty pleasure or the Kinks, he sings about the anti-conscription campaign and the disillusionment of fighting a war they did not believe in and it touched the heart and soul of many a white South African youth.
A seven single was released at the time with superb picture sleeve. James talks about there also being Apartheid between the English and Afrikaner.
I remember in seventies Durban, local thugs looking forward to the summer holidays when they would pick fights with holidaymakers from the Transvaal or Free State.
The film touches upon his shyness with women and his reliance on drink when talking to them. They were difficult to read, so quiet, was it shyness or aloofness or both.
I am shy as well so it was pretty much a quiet meeting. Then we jump back 5 years to the Cherry Faced Lurchers and their residency at Jamesons, a multiracial club.
A live LP was released in I saw similar scenes in Durban almost every weekend. One evening sitting on the verge outside a jorl house party a bunch of guys came up to me.
Silence, it is an impossible question to answer. The guys jump me and start kicking. I was bruised a bit but nothing serious, the difference being that no guns or knives were drawn.
It reminds me of Nina Simone at her best and I have watched her live close up. The song still resonates in Africa today with its wars, hunger, poverty, corruption.
You cannot fault his ability and feel and delivery. It is a great song. Am interview with James at the time has him looking old beyond his years and almost destitute, dirty, reminiscent of a street junkie or homeless person, matted dreadlocks.
It is a sad portrait and one wonders how low he had fallen at this point. The film jumps around a lot so please excuse me of losing track of where one bit fits in the context of the whole picture.
It is confusing when I write, but it does add to the excitement of the viewing experience, or does it really matter. James talks about Mandela and his release and the end of apartheid.
Randy Newman and Lowell George are cited as an influence and I never liked their music. At the same time his lyrics are more politically aware.
In James joins the Soccer Party, a sardonic, satirical political party which seemed to exist mainly for smoking lots of dagga.
He seemed more excited about the shows at the Grahamstown Arts Festival than his own shows. I think this tells me a lot about him.
It is a recurring thing in his life. In James Phillips was badly injured in a car crash. On 31 July he died.
He was He did not appear to be in a relationship at the time of his death, he never had a child or responsibilities.
He had very little money but he collected literature by South African writers. It is a tragic life but one which inspired many.
He described the life of a musician as a miserable one, one seedy hotel room after another seedy hotel room and the only way of dealing with it was to take drugs.
I suspect James never got as far as hotel rooms. I watched the film three times and I enjoyed and it made me think. The Sisters of Mercy Roundhouse 2 September 7.
Andrew Eldritch is an enigma, a man at war with the record companies since the nineties. And so it was at the Roundhouse, a shadowy figure who you could barely see his face, hidden by the smoke machine, the lighting, the laser beams.
Eldritch has always hated the Goth connection, having described himself as aiming for more modernist.
Kraftwerk with guitars, not really. The clues are more in the Sisterhood the collaboration with Alan Vega from Suicide.
The concert is almost more theatre than standard rock show, the drama, the abovementioned seclusion and mystery. It is a shock to see how much Eldritch has aged, now completely bald, no longer paper thin, dressed in ill-fitting black suit, seemingly quite unhealthy and gawky, an unsure dancer but he still has the drama and some great songs.
It is interesting to note that when compared to his peer Nick Cave, the Sisters have only released 3 albums, but have had more hit singles.
I side with the underdog. Eldritch is flanked by two rockin guitarists, strutting their stuff with great tone probably the best line up since the Marx, Adams, Gunn days.
Behind them is Doctor Avalanche being operated using two lap tops rap style. The songs have evolved with time and some are almost unrecognisable.
Eldritch sometimes struggled getting his voice heard, it is difficult I suppose when the songs are more mumbled than sang, and it did not matter, it increased the drama and theatre.
Interestingly his voice came through clearer when he sang from the side of the stage, he could probably hear himself better from there. It is a problem I used to experience as well so I identify.
In the old days I preferred the early Sisters. I did. In late James joins the Stooges. In Iggy meets David Bowie who was a big Stooges fan.
In David signs Iggy to Mainman and brings him over to England. Iggy was not impressed by the musos he met in England and soon he was joined by James.
Despite being very different characters Iggy and James roomed together in London and this strengthened them as a song writing team. Once James was in the fold the next step was to bring out the Ashton brothers Scott on drums and Ron on bass.
Then they started writing and rehearsing. Amongst other things the use of the drug heroin affected the music. Iggy wrote the lyrics in Kensington Gardens.
The lyrics use the Vietnam War as a metaphor for the attitude and feelings of the band and its audience.
I have read that Iggy sang the song in a higher register than usual. Was the song pitch altered? Which brings me to Bowie who became the albums producer.
Bowie brought an Englishness and artiness to the mix so it became an English as well as American album. The Bowie mix was unusual and at first hard to understand but once you understood it, it became thee mix.
This is a controversial issue as there are many mixes but none as interesting as the Bowie one. The lead guitar and vocals are much higher in the mix than any of the other instruments giving the music a frenetic sound, and thus the prototype punk guitar style and tone was born and became the blueprint for punk guitarists to this day.
The bass is very audible and pumping but it is quite trebly and so in sync with the rhythm guitar that on some songs what you assume to be rhythm guitar is often bass.
Likewise the drums and bass are so tight that the drums appear almost inaudible. To top it off Bowie added the Time Cube effects unit in the mix the cocaine sound.
The second song up Gimme Danger was written in response to the recording company requesting a slow song and a great one this is too, an answer to the Rolling Stones Gimme Shelter.
The guitar is detuned half a step to Eb. I have read that the main influences on the album were early Led Zeppelin, the Rolling Stones and seeing T.
Rex at Wembley a few weeks earlier. The influence of Led Zep can be heard on some of the heavier songs on the album for example Penetration.
And so on to the cover. In my opinion the artwork to an album is almost as important as the music itself, it is a summary of the music, a visual representation of the sound.
And what a cover this is. An amazing front pic of Iggy with silver trousers and platinum hair, pancake makeup and vampire lipstick.
Iggy hangs from the mike stand a symbol of decadence and danger. One of the few people in the audience was Johnny Rotten who used the mike stand in the same way in the Sex Pistols 4 years later.
The story behind the makeup was that backstage a girl made up James Williamsons face and Iggy said he would like to have a bit of that as well and so the look was formed and immortalised.
To truly appreciate the album you got to listen to the original vinyl version of the Bowie mix from , the latter-day reissues cannot compare. A multi genre multi-cultural collage of feedback, art punk garage with funk, disco, African, jazz, Latino, easy listening vs politico punk, electronic, a glam Krautrock cabaret.
Good time music. Side A is short songs. On side B the songs are longer a bit more experimental and darker.
In remarkably individualistic styles, each artist integrated himself and his radical experience of his own reality into his art.
Unlike the term Heftige Malerei heavy painting ,which was also initially applied to the new movement—the term Neue Wilde did not refer so much to the savagery of their art as it did to the savagery of the artists themselves.
It was received critically, especially by the artists themselves, who pointed out their entirely subjective visual vocabulary and lack of an overarching agenda, while at the same time rejecting the comparison between their art and an art movement from the past.
Yet, despite all of the skepticism, the term stuck. For example, Heftige Malerei was the title of a show at the Haus am Waldsee in Berlin in , which introduced the Berlin Wilde to a broader audience for the first time.
That same year Christos M. Within a few months the Neue Wilde became a star cult; art dealers bought out their studios; the works found their way into renowned collections before they even had time to dry.
Furious critical voices did not fall on deaf ears, though; just as it does now, the movement polarized experts at the time. Painting, however, was back in vogue.
Only years later did some exhibitions allow for new encounters with the art of the Neue Wilde as a whole, but the issue of the quality of the works from those paint-crazy years has yet to be fully addressed.
April 30, Stefanie Gommel. Internships in publishing, theater, and journalism. Has worked for Hatje Cantz in advertising and marketing since Your Wish List is empty.
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Die 80er. Figurative Malerei in der BRD
Neue Wilde - Wichtige Künstler der Neuen Wilden
Zur Geometrie des Amorphen Hubert Schmalix. Jankel Adler. Joseph Beuys. Bernd Becher. Über das Verstehen von Kunst. Gelegentlich findet der Lucifer Episode 2 auch in Bezug auf den internationalen Neoexpressionismus Verwendung. Dieser Artikel kann aus urheberrechtlichen Gründen nicht hinreichend bebildert werden.
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