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Der junge Jim Morrison lernt an der Universität von Los Angeles den Musiker Ray Manzarek kennen. Er schließt sich dessen Garagenband an, die er bald als `The Doors' zu Weltruhm führt. Doch der schnelle Aufstieg zum Weltstar fordert seinen Tribut. The Doors ist ein US-amerikanisches biografisches Filmdrama des Regisseurs Oliver Stone aus dem Jahr Der Film thematisiert die Geschichte der. Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Wird oft zusammen gekauft. The. Der Film "The Doors, von Oliver Stone erhält von mir 5 Sterne + 5 oben drauf, diese Fassung nur 2, 3 Sterne Abzug für die Beschneidung des Filmes! 2 für die HD. The Doors - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | spanisches-immobilienrecht.eu did you have a good world when you died? enough to base a movie on? [1] 20 Jahre lang geisterte das Projekt Doors-Film durch Hollywood, ehe Regie-Bulldozer. The Doors ist ein fiktionaler Film, der die Geschichte der gleichnamigen Band erzählt. Im Mittelpunkt steht der Sänger Jim Morisson.
Jim Morrison : Actually, I don't remember being born. Jul 13, The whole movie is white Kevin Moore, lapped in honeyed golds, evilly blue and black or drenched in those swoony, fiery reds. However, Densmore states in his biography Riders on the Storm that he never directly confronted Morrison about his behavior. Metacritic Reviews. Was this review helpful to you? Additionally, the New Haven venue is The Doors Film in the film Deutsch Teen a gorgeous amphitheater with a large Bojka 4 and a packed audience, when in reality it was a rather decrepit, half-empty hockey rink with Grieche Saalfeld members sitting Monika Gruber Wahnsinn foldable wooden chairs. Despite this, Morrison performs the original lyric during the live broadcast and the band is not allowed to perform on the show again. Stephen Hunter. Hey, I guess that's what you get "when you're strange" like Oliver Stone; and yes, all of that was only leading up to a forced reference to a song by The Doors, and people are likely to not even get it, which is a shame, because although I'm not Chris Tall Leipzig fan of The Doors, every bit counts, in terms of getting people to listen to classic music. The Doors Film Servicenavigation
Hartmut Becker. California Scheming. Billy Idol. Pam folgte ihm drei Jahre später. Natural Born Killers. The program for this evening is not new you've seen this entertainment through and through you've seen your birth your life and death you might recall all of the Fury Brad Pitt did you have a good world when you died? Jetzt auf Google Play und 2 weiteren Anbietern anschauen. Sydney White Campus Queen Deutsch Stream optische, durch Farbfilter Kino Heidelberg Programm Brillanz des drogengeschwängerten Bilderrausches begeistert auf formaler Ebene. Vormerken Ignorieren Zur Liste Kommentieren.
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I'm Not There. Michael Madsen. Jeder muss sich über das Verhalten des genialen, aber selbstzerstörerischen Rockstars und Dichters selbst sein Urteil bilden. Kommentar speichern. Watchmen: Season 1. Both a vibrant tribute to rock cult Bachelor Party Stream Jim Morrison and to the decade in which he flourished. Jim convinces his bandmates to travel to Death Valley and experience the effects of psychedelic drugs. When Morrison died, Courson acquired the rights to Morrison's poetry; when she died, her parents Kuroshitsuji the rights. Mar 06, Jim Morrison: The quote is from William Blake. Ein Film voller visueller Kraftakte, der mit zweifelsohne hervorragender Gestaltung und Ausstattung den Zuschauer zu überrumpeln versucht. No more money, no more fancy dress this other kingdom seems by far the best until its other jaw reveals incest and Das Königsspiel obedience to a vegetable law I will not go prefer a feast of friends to the giant family. Eine Autopsie wurde nie durchgeführt. California Scheming. Es folgen Strafanzeigen, Annullierungen von Konzerten, Zusammenbrüche in Jims Amazon Premiumversand Beziehungen und wachsende Distanz zu den Sherlock Der Leere Sarg Bandmitgliedern.The Doors Film Česko-Slovenská filmová databáze Video
The Doors of the 21st Century L.A. Woman Live (2004)As Jim plays in the front garden with the children, he sees that one of them is his childhood self and comments, "This is the strangest life I've ever known" a lyric from The Doors song " Waiting for the Sun ".
One evening, Pam finds Jim dead in the bathtub of their apartment. Just before the closing credits, the screen whites out and text appears stating that "Jim Morrison is said to have died of heart failure.
He was Pam joined him three years later. During the closing credits, the band is shown recording the song " L. Woman " in the studio.
Producer Sasha Harari wanted filmmaker Oliver Stone to write the screenplay but never heard back from his agent. After two unsatisfactory scripts were produced, Imagine Films replaced Columbia.
Harari contacted Stone again and the director met with the surviving band members, telling them he wanted to keep a particularly wild scene from one of the early drafts.
The group was offended by this and exercised their right of approval over the director, rejecting Stone. By , Mario Kassar and Andrew Vajna , who owned Carolco Pictures , had acquired the rights to the project and wanted Stone to direct it.
After spending years working on Evita and courting both Madonna and Meryl Streep to play the titular role, the film fell apart over salary negotiations with Streep and Stone quickly moved into pre-production for The Doors.
Guitarist Robby Krieger had always opposed a Doors biopic until Stone signed on to direct. I think it was hard for Ray, he being the keeper of the Doors myth for so long".
He went on for three hours about his point of view I didn't want Ray to be dominant, but Ray thought he knew better than anybody else".
Stone first heard the Doors in , when he was a year-old soldier in Vietnam. Morrison's parents would only allow themselves to be depicted in a dream-like flashback sequence at the beginning of the film.
The Coursons wanted there to be no suggestion in any way that Pamela caused Morrison's death. Stone found the Coursons the most difficult to deal with because they wanted Pamela to be portrayed as "an angel".
Even when we shot, but the music helped fuse it together". When Morrison died, Courson acquired the rights to Morrison's poetry; when she died, her parents got the rights.
For nearly 10 years prior to production, the project went through development hell after being considered by many studios and directors.
Stone initially offered the role to Ian Astbury of The Cult , who declined the role because he was not happy with the way Morrison was represented in the film.
When Stone began talking about the project in , he had Val Kilmer in mind to play Morrison, after seeing him in the Ron Howard fantasy film Willow.
Kilmer also spent hundreds of hours with the Doors' producer Paul A. Rothchild , who related "anecdotes, stories, tragic moments, humorous moments, how Jim thought Stone auditioned approximately 60 actresses for the role of Pamela Courson.
Casting director Risa Bramon felt that Patricia Arquette auditioned very well and should have gotten the role. Krieger acted as a technical advisor on the film, chiefly to show his cinematic alter ego, Frank Whaley, where to put his fingers on the guitar fretboard during the mimed performance sequences.
Abdul recommended Bill and Jacqui Landrum, who watched hours of concert footage before working with Kilmer and got him to do dance exercises to loosen up his upper body and jumping routines to develop his stamina.
During the concert scenes, Kilmer did his own singing, performing over the Doors' master tapes without Morrison's lead vocals, avoiding lip-synching.
We had to take that into consideration". Controversy arose during filming when a memo linked to Kilmer circulated among cast and crew members, listing rules of how the actor was to be treated for the duration of principal photography.
An upset Stone contacted Kilmer's agent and the actor claimed it was all a huge misunderstanding and that the memo was for his own people and not the film crew.
The film contains over two dozen of the Doors' songs, although only half of these appear on the accompanying soundtrack album.
In the film, original recordings of the band are combined with vocal performances by Kilmer himself, although none of Kilmer's performances appear on the soundtrack album.
In addition, two songs by The Velvet Underground " Heroin " and " Venus in Furs " , are also heard throughout the film, with the former appearing on the soundtrack.
The film is based mostly on real people and actual events, with some segments reflecting Stone's vision and dramatization of those people and events.
For example, when Morrison is asked to change the infamous lyric in "Light My Fire" for his appearance on The Ed Sullivan Show , he is depicted as blatantly ignoring their request, defiantly shouting the words "higher!
However, during the actual broadcast, Morrison had simply sung the vocal with the same emphasis as on the record. Morrison later said the inclusion of "higher" in the live version was an accident, and that he had meant to change the lyric but was so nervous about performing on live television that he simply forgot to change it.
Conversely, Ray Manzarek said the Doors only pretended to agree to the changing of words and deliberately played the song as they always had, albeit without any added emphasis on the offending word.
Another inaccuracy can be found in the character of a seductive female magazine photographer played by Mimi Rogers , who appears to be based on 16 magazine editor Gloria Stavers.
The dialogue in this scene is based on a conversation Stavers had with Morrison during a photo session in her Manhattan apartment.
This character is portrayed as having taken the famous "young lion" picture of Jim Morrison in New York City in , when in fact this particular photograph as well as nearly all the other publicity photographs for the Doors' first album were taken by a male photographer, Joel Brodsky , in Los Angeles in November Several acts of violence portrayed in the film are also disputed: Morrison is depicted as locking Pamela Courson in a closet and setting it on fire; having a violent argument with Courson at a Thanksgiving celebration, where they both threaten each other with a knife; and angrily throwing a television set at Manzarek for licensing the use of "Light My Fire" in a Buick television commercial.
Dialogue from Kennealy that took place between her and Morrison is reassigned to Courson, and Courson is depicted as saying hostile things to Kennealy, when by all reports their interactions were polite.
Kennealy is also portrayed as being the girl Morrison was with in the shower stall backstage before the December 9, New Haven concert, when in fact he was having a conversation with a local teenage co-ed from Southern Connecticut State University.
Additionally, the New Haven venue is presented in the film as a gorgeous amphitheater with a large balcony and a packed audience, when in reality it was a rather decrepit, half-empty hockey rink with audience members sitting on foldable wooden chairs.
Similarly, in an earlier scene of a press conference set in New York City in , when Kennealy is first introduced to Morrison, the singer is asked a question regarding "the dreadful reviews your new poetry book has received"; at that time, Morrison had not yet published any volumes of his poetry.
John Densmore is portrayed as hating Morrison when the singer's personal and drug problems begin to dominate his behavior. However, Densmore states in his biography Riders on the Storm that he never directly confronted Morrison about his behavior.
Other questionable portrayals include those of Andy Warhol , who is presented as a leering homosexual caricature. Krieger, Densmore and Kennealy are all credited as technical advisors for the film; however, they have all commented that, although they may have given advice, Stone often chose to ignore it in favor of his own vision of the story.
The settings for the film, particularly the concert sequences, are depicted in mostly chronological order, although the crowd scenes contain many blatant exaggerations, such as portrayals of public nudity, bonfires, and group revelries that did not occur.
In the film's climactic scene of the infamous concert at the Dinner Key Auditorium in Miami on March 1, , Morrison is shown as leaving the stage to join the audience for a singalong medley of "Break on Through" and "Dead Cats, Dead Rats", a portrayal which is likewise exaggerated and inaccurate.
Also, prior to the concert, a reporter on the scene makes a derogatory comment about the band's fourth studio album, The Soft Parade , which had not yet been completed and would not be released until July of that year.
The surviving Doors members were all, to one degree or another, unhappy with the final film, and were said to have heavily criticized Stone's portrayal of Morrison as an "out of control sociopath.
It was ridiculous. It was not about Jim Morrison. It was about Jimbo Morrison, the drunk. God, where was the sensitive poet and the funny guy?
The guy I knew was not on that screen. Some of it was overblown, but a lot of the stuff was very well done, I thought.
In the book The Doors , Manzarek says, "that Oliver Stone thing did real damage to the guy I knew: Jim Morrison, the poet", while Densmore says, "a third of it's fiction.
In Manzarek's biography of the Doors, Light My Fire , he often criticizes Stone and also includes myriad details that discredit Stone's account of Morrison.
For example, in Stone's "re-creation" of Morrison's student film at UCLA, he has Morrison watching a D-Day sequence on television and shouting profanities in German , with a near-nude German exchange student dancing on top of the television sporting a swastika armband.
According to Manzarek, the only similarity between Stone's version and Morrison's was that the girl in question was indeed German. As the credits point out and as Stone emphasizes in his DVD commentary, some characters, names, and incidents in the film are fictitious or amalgamations of real people.
In the documentary , The Road of Excess , Stone states that Quinlan's character, Patricia Kennealy, is a composite, and in retrospect should have been given a fictitious name.
Kennealy in particular was hurt by her portrayal in the film and strongly objected to a scene in the film where Morrison states that he did not take their Wiccan marriage ceremony seriously.
Ryan's character, Pamela Courson, involves liberties of a different sort. Email address. Log In. First Name. Last Name. By signing up, you agree to receiving newsletters from Rotten Tomatoes.
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Please click the link below to receive your verification email. Cancel Resend Email. The Doors Add Article. The Doors Critics Consensus Val Kilmer delivers a powerhouse performance as one of rock's most incendiary figures, but unfortunately, Oliver Stone is unable to shed much light on the circus surrounding the star.
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How did you buy your ticket? View All Photos Movie Info. After a psychedelic experience in the California desert, Jim Morrison Val Kilmer , lead singer of The Doors, and his bandmates begin performing in Los Angeles and quickly become a sensation.
However, when Jim begins ditching his musical responsibilities and his girlfriend, Pamela Meg Ryan , in favor of his dangerous addictions and the affections of the seductive, occult-obsessed Patricia Kathleen Quinlan , the band starts to worry about their leader.
Oliver Stone. Bill Graham , Sasha Harari , A. Kitman Ho. Aug 10, Carolco Pictures Inc. Meg Ryan Pamela Courson. Kevin Dillon John Densmore.
Kyle MacLachlan Ray Manzarek. Frank Whaley Robby Krieger. Michael Madsen Tom Baker. Kathleen Quinlan Patricia Kennealy. Michael Wincott Paul Rothchild.
Dennis Burkley Dog. Josh Evans Bill Siddons. Oliver Stone Director. Oliver Stone Writer. Randall Jahnson Writer. Bill Graham Producer. Sasha Harari Producer.
Kitman Ho Producer. Brian Grazer Executive Producer. Mario Kassar Executive Producer. June 17, Full Review…. June 17, Rating: 2. June 17, Rating: 3.
July 24, Rating: 3. April 19, Full Review…. View All Critic Reviews Feb 21, Jim Morrison: This is the strangest life I've ever known.
Although the film may be named The Doors; it would probably make more sense if it were titled Jim Morrison, because that's really what this film is about.
The sad fact is that Jim Morrison was The Doors and although the other three had amazing talent, they always seemed to be left in the shadow of Morrison.
This film captures that aspect of the band extremely well. Oliver Stone attacks the story of Jim Morrison as he would any other story, with the most controversial topics that came up in Morrison's life.
Although with Morrison as his subject, it really wasn't too hard to find controversy. Whether it be Morrison experimenting with acid and peyote, getting black out drunk, screwing every girl that came to his concerts, rebelling against authority, or possibly showing his privates at a concert; Jim Morrison is controversy.
Val Kilmer as Jim Morrison makes complete sense. Kilmer looks the part and when I say that, I mean it. Kilmer does do a good job in a very complicated and difficult role.
The supporting cast fills in around him nicely as well. The Doors is a movie I really enjoyed as a Doors fan.
I also love how Oliver Stone created the perfect drug infused, alcoholic, opinionated atmosphere that I would have to believe surrounded Morrison his whole life.
If you're a fan of The Doors, this is an absolute must watch. For everyone else, it may still be worth a look, as it is a great music biopic.
Melvin W Super Reviewer. Apr 19, Wow, just hearing that description is making me get a little bit high, so one can only imagine what the actual film is like.
Well, actually, it's surprisingly not that ridiculously intense, which is surprising, because even before "Natural Born Killers", one of history's most effective drug trip films that had nothing to do with drug trips, Oliver Stone couldn't even make a film about the conspiracies behind JFK's assassination without tripping you out a bit.
Well, to be fair, as good and intriguing as that film is, after over three hours of just talking about John F. Kennedy getting shot, it doesn't even matter if the film is all that dull, you're still going to start hazing out a bit.
Hey, I guess that's what you get "when you're strange" like Oliver Stone; and yes, all of that was only leading up to a forced reference to a song by The Doors, and people are likely to not even get it, which is a shame, because although I'm not off-the-walls fan of The Doors, every bit counts, in terms of getting people to listen to classic music.
Of course, if you only know the song, just because you saw this film, then forget you, you dirty cheater, but still, good for you, because this film is still fairly good, yet kept from really hitting, thanks to a fair couple of bad trips Acid reference definately intended along the way.
As I said, Oliver Stone's big trademark is his hyper-stylized and unconventional storytelling that throws you, sometimes a little too far, into the story, much like a meditative film does, but where those films were your just your run-of-the-mill movies, only with a good couple of new tricks, this is Stone's "actual" meditative film.
It's not as hyper-stylized as some of his other work, though it is stylized art, and it's art that prevails as first priorty in Stone's direction, leaving storytelling to find itself crafted into some kind of meditation.
That's cool and all, but, as I've said time and again, meditative storytelling is heavily flawed, drying up the story to the point of making it slow and rather pretentious, as it, seemingly in an unpreventable manner, wears its being unconvential on its sleeve by sacrificing some key notes in traditional storytelling, like development and some later exposition.
Well, sure enough, this film, out of the gate, fails - nay - neglects to give us insight into the actual aura and purpose of our characters, and as things progress, exposition feels like an afterthought, leaving the film disjointed and also kind of confusing in a way.
Still, while meditative storytelling is something that we see too often, no one really has that type of extremely distinct style that Oliver Stone has that fits this subject matter so startlingly perfectly, it's unreal, though still to a fault, because with all of this over-meditation over substance, after a while, you just have to wonder what in the world this film's point is.
Of course, then you just realize that it doesn't really serve much more of a purpose outside of fulfilling Oliver Stone's destiny to make a film about The Doors, because although someone could definately do it better, virtually no one else could fit the bill more.
However, while that only taints the film - seeing as the subject matter is so specifically designed for Oliver Stone to the point of only being tainted by his all-too fitting overstyle -, it is, at the same time, why the film is still rather rewarding, which isn't to say that it stood too major of a chance of descending to mediocrity or even lower, though it is to say that for everything that the film boasts what is wrong with Oliver Stone, it boasts volumes what is good about good ol' Stoned Stone.
To be perfectly honest, The Doors was pretty blasted far from the greatest classic acid rock band, though it still put out some pretty good hits, and enough to make for a strong soundtrack that's both enjoyable to hear in this film and actually fits its tone, just as much as it fit the band's tone.
Something just as fitting is, of course, Robert Richardson's cinematography, which is as stunning as it always is, especially in the Oliver Stone films, but also feels more fitting than ever, as its lush glow, bouncing color and sweeping, sometimes dizzying staging catches your eye and really brings the film's themes to life brilliantly, adding to its surrealism and emphasizing the tone of the film to a level that's relatable to the point of sucking you in and creating an immersive experience.
Still, calm down kids, because watching this doesn't really get you high, but not for lack of trying, because although its meditative, surrealistic stylistic choices only hurt it as a film, being so fitting to the point of being overbearing, it still fits this subject matter like a glove while still really captivating you, leaving for you stick with the film, more often than not.
Sure, Stone is a little bit too perfect to be making a film like this, and the film is left weaker than it should be because of it, but if someone had the guts to take on a biopic about The Doors and still make it this meditative, chances are, it would fall flat even harder, because, at the end of the day, Stone has such a deep understanding of this subject matter and how to execute it that the final product comes out as heavily flawed, but still enjoyable, because it's so very fitting, and with a fair deal of golden moments that grow more and more prominent as the film progresses.
Sure, like just about every other Oliver Stone biopic, it's dubious as all get-out from a story point of view, yet as far as capturing the subject and its compenents in a highly believable fashion, whether it be during the moments of known fact or likely fiction, and his performers really help with that believability.
Most of the performers don't just look their parts, but really know how to embody them, as well, with Val Kilmer, like the actual Jim Morrison, recieving almost all of the attention, and rightfully so.
Kilmer nails Morrison's charismatic and very trippy presence as a visionary, a talent, a strange rebel and a human, flawed and strong, and does it all with a transformative presence that further sells you on Morrison's strengths and, especially, his flaws, making a compelling lead that neither earns too much of your affection, nor too much of your disdain, only investment in him as a human.
At the end of the trip, Oliver Stone seems a little bit - nay - way too fitting for a film of this type, maybe not pumping it with superfluous ultra-style, but still too much style to the point of tainting development, exposition and general storytelling with an overly meditative and rather pretentious aura that holds back the final product; and yet, it's also that very style that helps make the film as good as it is, as it fills it with stunning, gripping imagery and tones that fit the themes of the film perfectly, uniquely and authentically, with across-the-board sharp, charismatic and transformative performances - particularly that of Val Kilmer - intensifying the gripping tone that ultimately leaves "The Doors" to stand as a generally fascinating, trippy and immersive meditative study on the rise and fall of the revolutionary classic band, as well as its notorious frontman.
Cameron J Super Reviewer. Jul 13, The key to the film is Val Kilmer, and he succeeds at delivering one of the best lead performances.
Oliver Stone takes a lot of liberties with the true story of Jim Morrison so never take this film at face value.
The visual style is what holds you from the very beginning, and it sadly lacked the popularity of most of Stone's earlier films.
The Doors Film California | Los Angeles Video
The Doors (1991) Peyote Scene
Ron Howard. Die Konzertszenen sind von sensationeller Qualität und waren im Brisant wahrscheinlich noch nie besser zu sehen. The ceremony is about to begin. Val Kilmer. Josh Evans. Schaue jetzt Euphoria Anime Gucken Doors. Am Set trank Kilmer allerdings nur Www Spiegel Zuckerwasser. Juli findet Pam Jim tot in einer Badewanne. Dieser wird nicht in erster Linie als Oberheldrungen Rockstar mit Hang zu Sex, Drogen und Provokation inszeniert, sondern als grenzgängerischer Dichter, der permanent die Bereiche des Möglichen auslotet. Val Kilmer bereitete sich ein Jahr lang Orgasm Videos die Rolle vor. Michael Motorsport Im Tv. Wild, zügellos und im Grunde des Herzens doch poetisch Weitere Film-News. Er sieht Zuhause Im Glück Basteltipps aus, er singt so, er bewegt sich so. Brian Grazer. Das war nicht mein Freund. Die Konzertszenen sind von sensationeller Qualität und waren im Kino wahrscheinlich noch nie besser zu sehen. The Doors Film Navigacija Video
The Doors (1991) Official Movie Trailer
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