Klaus Dinger Navigationsmenü
Klaus Dinger war ein deutscher Schlagzeuger und Gitarrist sowie Mitglied bei Kraftwerk, Neu! und La Düsseldorf. Er gilt als Erfinder des sogenannten Motorik-Beats. Dinger starb am März , drei Tage vor seinem Geburtstag, an. Klaus Dinger (* März ; † März ) war ein deutscher Schlagzeuger und Gitarrist sowie Mitglied bei Kraftwerk, Neu! und La Düsseldorf. Er gilt als. NEU? 10 Die Japandorf Utopie; 11 Jahrescharts; 12 Songs, Alben und Texte über Klaus Dinger. Entdecken Sie Veröffentlichungen von Klaus Dinger auf Discogs. Kaufen Sie Platten, CDs und mehr von Klaus Dinger auf dem Discogs-Marktplatz. Interview mit Klaus Dinger by: Marc Schulz / Klangzeit for: Klangzeit. Klaus Dinger ist einer meiner alten Helden. Dinger (ex- Kraftwerk, NEU!, la Düsseldorf,. Klaus Dinger war neben Ralf Hütter und Florian Schneider eines der ersten Mitglieder von Kraftwerk. Auf dem Debüt-Album der Band ist Dinger am Schlagzeug. Die Geschichte des Techno beginnt mit einem gebrochenen Herzen. Für den jungen Musiker Klaus Dinger endet der Sommer alles.
He was their first child. Before he was a year old, his parents moved from the town, which had been badly damaged by an Allied siege at the end of World War II , to the economic centre of the region, Düsseldorf.
In he attended Görres Gymnasium School for the first time. During his time there he was part of an a cappella choir, which he had to leave when his voice broke.
He was part of the school swing band as a drummer despite having no prior musical experience. He left the school with a Mittlere Reife German equivalent of leaving school at 16 , later accusing the school of misinterpreting his "free mindedness" as misbehaviour.
After leaving school in Dinger began to learn carpentry from his father. He also became more interested in music, and practiced drums with spare bits of wood until he could afford a drum kit.
The band sent a demo tape to EMI but the record label never replied. He also worked in a free jazz ensemble, making what he later called "noise".
During a concert in Düsseldorf with this ensemble, he spotted Florian Schneider , with whom he would later work in Kraftwerk, sitting in the audience Dinger said that Schneider "Had a face I will never forget".
In Dinger also started studying architecture at Krefeld. However, in he took 6 months leave, after experiencing LSD for the first time, in order to become more proficient as a drummer.
During this period he realised that he could make a living as a musician alone, and never returned to his architecture studies.
In Summer Dinger received a telephone call from Ralf Hütter. Hütter was bandmates with Florian Schneider in Kraftwerk and was three-quarters of the way through recording their debut album.
Their previous drummer Andreas Hohmann had left to join sister-group Ibliss after only two of the album's tracks had been made.
Hütter and Schneider set out to find a new drummer; in the meantime they recorded a third track without the use of a drummer.
Dinger's role would be to record the drum part for the fourth and final track: "Vom Himmel Hoch". Dinger recalls:. I recorded the drums on side 2.
Ralf and Conny Plank, the producer, were very pleased with the results. Florian was away on holiday at the time and when he came back, he didn't like it at all.
I recorded the same tracks again and they sounded exactly the same. Having impressed both Hütter and Schneider, Dinger was installed as a permanent member of the band.
The homeless drummer moved into the house of Florian's parents, Florian leaving shortly after, but Klaus was kept on as a lodger. Here he met Anita.
Anita, or "Hanni", was a friend of Florian's sister who died in Hanni would be Klaus Dinger's girlfriend for most of his time in Neu!
After touring extensively with the band, Ralf Hütter suddenly decided that "he couldn't play anymore" and left the group.
This left Schneider and Dinger without a guitarist or bass player. They toured with what Dinger called "a floating line-up" of ever changing musicians.
The line-up settled down somewhat by June , and it stood as Dinger on drums, Schneider on flute and organ, Eberhard Kranemann Florian Schneider's bandmate from Pissoff on bass and Michael Rother on guitar, who had been poached from local band Spirits of Sound.
The performance was different from the Kraftwerk style and is seen by many as a transition from that towards Neu! Shortly afterwards Michael and Klaus seceded from Kraftwerk to form their own group: Neu!.
Ralf Hütter returned to Kraftwerk at the request of Schneider, who was now without a guitarist or drummer.
Kraftwerk would continue, recording Kraftwerk 2 at around the same time as Neu! The lack of a drummer would force them to pioneer the use of drum machines and electric percussion, and, in , they made their chart debut with Autobahn.
In June Dinger's girlfriend moved with her family her father, a banker, was unhappy about her being with Klaus to Norway.
Here Dinger visited her in the summer of During this holiday, Dinger recorded the "watery" sounds featuring on several of his subsequent songs Im Glück, Lieber Honig, Gedenkminute, Lieber Honig whilst on a rowing boat with Anita.
The pair would continue to see each other irregularly, and often with long intervals between meetings, through , and Having broken off from Kraftwerk, Rother and Dinger quickly began the recording sessions for what would become Neu!.
The band was christened "Neu! Dinger later said of the logo:. I had always been very visual in my thinking. Also, during that time, I lived in a commune and in order to get the space that we lived in, I set up an advertising agency which existed mainly on paper.
Most of the people that I lived with were trying to break into advertising so I was somehow surrounded by this Neu!
Dinger describes Conny's abilities as a "mediator" between the often disagreeing factions within the band. The band were booked into the studio for four days in late , according to Dinger, the first two days were unproductive, until Dinger brought his Japanese banjo to the sessions, a heavily treated version of which can be heard on "Negativland", the first of the album's six tracks to be recorded.
It was during these sessions that Dinger first played his famous " motorik " beat. Motorik is a repeated 4 4 drumbeat with only occasional interruptions, perhaps best showcased on " Hallogallo ".
Dinger claims never to have called the beat "motorik" himself, preferring either "lange gerade" "long straight" or "endlose gerade" "endless straight".
He later changed the beat's "name" to the " Apache beat" to coincide with his solo album Neondian. In order to promote the release the record label, Brain Records , organised a tour.
Ex-Pissoff frontman Eberhard Kranemann was brought in to play bass, the trio recording a "practice" jam in preparation. The recording of this would later be released as Neu!
Only some of the tour dates allotted were ever fulfilled, Rother later saying that he felt Neu! At some shows blood splashed, when Klaus hurt himself with a broken cymbal.
The audience was very much impressed by this radical and ecstatic performance. I never felt the need for this kind of performance and always tried to come across with just the music.
So I sat behind my few effect devices and pedals and focused on the developing music and not so much on the audience. Dinger later said that the record company had tried to dissuade them from making it as it was not commercially viable.
The following January, Neu! Brain's parent label Metronome Records licensed the Neu! The second side of Neu!
There have been several conflicting explanations as to why this was done, the most quoted being Dinger's assertion that: "When the money ran out, I got the idea of taking the single, play around with it and put the results on side 2 of the album.
Either way, the second side of the album was poorly received by fans who thought, according to Rother, that "we were making fun of them. Dinger later said of the issue:.
I came from that world, Pop Art thinking. Michael did not like the idea. These days he claims that everything in NEU!
Financially: yes. Creatively: no. He was always very conventional. Following the release of Neu! To this end, Dinger travelled to London with his brother Thomas to try and organise a Neu!
Although the visit was planned to last only six weeks or so, the Dinger brothers failed to return, staying for substantially longer.
Despite this they achieved, in Dinger's words, "nothing," having met both John Peel and Karen Townshend wife of Pete and presented them with copies of Neu!
Rother, who unlike Dinger was interested in the Krautrock scene contemporary with Neu! He at first envisaged a Neu! After an initial jam between Moebius, Roedelius and Rother at Forst captured in the track " Ohrwurm " on Harmonia 's debut Rother decided to stay at Forst and prepare a new album with Moebius and Roedelius as Harmonia, essentially abandoning his work with Dinger.
Rother keeps a studio at Forst to this day. Whilst Rother was at Forst, the Dinger brothers returned from London. Whilst in London, Dinger too had come up with a solution to Neu!
Lampe had worked as Conny Plank's assistant throughout much of , and was keenly interested in Neu! Dinger began taking guitar lessons, in the hope that he would be able to take up the role of frontman in a new Neu!
In anticipation of this new line-up, the Dinger brothers and Lampe played several small concerts under the name La Düsseldorf whilst Rother remained at Forst.
Rother's continued absence was the cause of many problems, as Dinger was at this point far from proficient at guitar. That summer the trio travelled to Forst to meet Rother.
Finding him entrenched in the recording of Musik von Harmonia and the Cluster album Zuckerzeit , Dinger attempted to convince his ex-bandmate of a Harmonia-La Düsseldorf supergroup which would include himself, Rother, Moebius, Roedelius, Lampe and Thomas Dinger, but this suggestion was rebuked by Rother, who no longer wished to have any involvement with Neu!.
Dinger returned to Düsseldorf disheartened, and immediately began to work on projects of his own. With the help of his friends from the Düsseldorf commune, Dinger set up the short-lived Dingerland Records.
Dinger remembers:. I had started my own record company and had produced a band called Lilac Angels. I pressed too many records and around the same time I also organized two free concerts in Düsseldorf and received no help from the industry or the press.
As a result, I went bankrupt, to the tune of 50, marks, an enormous sum for me. Although releases by Eberhard Kranemann and Achim Duchow had been intended for the label, neither made it into print although Kranemann's album "Fritz Müller Rock" was released by the "Röthe Hande" label in The Lilac Angels did not disband, but released a further two albums, meeting moderate popular acclaim in Germany.
He has since maintained that she was "the love of my life" and continued to write songs addressed to her well into the s. Shortly after the collapse of Dingerland , Brain Records began enquiring after the third album Neu!
In Dinger and Rother had agreed to a four-year contract with Brain, which specified that three albums be made, and the label, which was itself in financial difficulty, demanded that a final album be made.
By late Harmonia had begun to factionalise, Rother preferring a more guitar driven sound and extensive touring, whilst Moebius and Roedelius favoured the electronic sound that characterised Cluster, and resented Rother's attempts to transform Harmonia from an art-orientated to a pop-orientated ensemble.
Consequently, Rother was well placed to return to Düsseldorf in late , to perform with the three members of La Düsseldorf in concert as Neu!.
A live version of Hero was recorded for television, and is widely available on the internet. The performance highlights the disparity and enmity between Dinger and Rother, with Dinger playing guitar at the front of the stage, theatrically singing his lyrics, and Rother sat behind the stage machines, quietly providing the track's lead guitar parts.
The recording of Neu! Like Neu! Dinger recognised this duality, admitting that "me and Michael drift[ed] apart," but Rother maintains that "it was the combination of our two strengths which made the magic.
The soft-loud dynamic of the album's two sides have directly influenced many artists since, most notably David Bowie , who used the inverse of that format on his albums Low and "Heroes".
Hero displays her loss "Honey went to Norway" , and Dinger's anger at the music industry following the failure of Dingerland and the insufficient promotion by their record label "Fuck the company, Your only friend is money" , whilst After Eight' s lyrics feature the repeated refrain " Help me through the night ".
The latter is a reference to a recurring dream Dinger had of Anita, which plagued him for many years [ citation needed ] , and manifest themselves in lyrics such as " Come to me " Lieber Honig , , " I want to touch you tonight " Touch Me Tonight , and " Jag Älskar Dig " Ich Liebe Dich , Immediately following the release of Neu!
Rother returned to Forst to complete a second album with Harmonia, whilst Dinger continued to tour with La Düsseldorf. Having completed his contract with Brain , Dinger left the label and signed to Teldec , a major label in Germany at the time, which specialised in pop music, unlike the more eclectic Brain.
Dinger would remain signed to Teldec until he was dramatically dropped in Dinger spent the summer of improving his guitar playing and writing lyrics, intending to turn La Düsseldorf into a viable pop group.
It was also in this period that Dinger began to use his signature Open-E tuning for the guitar, which would remain his tuning of favour for the rest of his career.
Dinger's guitar playing, at first criticised as amateurish, developed in time to be as simplistic yet rhythmically advanced as his drumming, and Dinger never played a full drum kit on record again until 's Year of the Tiger.
In September , La Düsseldorf entered the studio to begin recording their debut album , retaining Conny Plank as producer and featuring the same line-up as played on Neu!
Es folgten zwei weitere Alben, Neu! Hero auf Neu! Nach insgesamt drei Studioalben trennten sich Dinger und Rother im Streit, der unter anderem bis über das Jahr hinaus eine Wiederveröffentlichung der Neu!
Erst im Jahr legten Dinger und Rother ihre persönlichen Differenzen zumindest insoweit bei, dass eine Wiederveröffentlichung der Neu!
Dingers nächste Band, die sein erfolgreichstes Projekt nach Neu! Aufgrund von Rechtsstreitigkeiten mit dem Plattenlabel Warner Bros.
Auch der aus Neu! Der Name La! Namensräume Artikel Diskussion. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte.
Klaus Dinger Navigationsmenü Video
CHA CHA 2008 - scenes from JapandorfThe following January, Neu! Brain's parent label Metronome Records licensed the Neu! The second side of Neu! There have been several conflicting explanations as to why this was done, the most quoted being Dinger's assertion that: "When the money ran out, I got the idea of taking the single, play around with it and put the results on side 2 of the album.
Either way, the second side of the album was poorly received by fans who thought, according to Rother, that "we were making fun of them. Dinger later said of the issue:.
I came from that world, Pop Art thinking. Michael did not like the idea. These days he claims that everything in NEU!
Financially: yes. Creatively: no. He was always very conventional. Following the release of Neu! To this end, Dinger travelled to London with his brother Thomas to try and organise a Neu!
Although the visit was planned to last only six weeks or so, the Dinger brothers failed to return, staying for substantially longer.
Despite this they achieved, in Dinger's words, "nothing," having met both John Peel and Karen Townshend wife of Pete and presented them with copies of Neu!
Rother, who unlike Dinger was interested in the Krautrock scene contemporary with Neu! He at first envisaged a Neu! After an initial jam between Moebius, Roedelius and Rother at Forst captured in the track " Ohrwurm " on Harmonia 's debut Rother decided to stay at Forst and prepare a new album with Moebius and Roedelius as Harmonia, essentially abandoning his work with Dinger.
Rother keeps a studio at Forst to this day. Whilst Rother was at Forst, the Dinger brothers returned from London. Whilst in London, Dinger too had come up with a solution to Neu!
Lampe had worked as Conny Plank's assistant throughout much of , and was keenly interested in Neu! Dinger began taking guitar lessons, in the hope that he would be able to take up the role of frontman in a new Neu!
In anticipation of this new line-up, the Dinger brothers and Lampe played several small concerts under the name La Düsseldorf whilst Rother remained at Forst.
Rother's continued absence was the cause of many problems, as Dinger was at this point far from proficient at guitar.
That summer the trio travelled to Forst to meet Rother. Finding him entrenched in the recording of Musik von Harmonia and the Cluster album Zuckerzeit , Dinger attempted to convince his ex-bandmate of a Harmonia-La Düsseldorf supergroup which would include himself, Rother, Moebius, Roedelius, Lampe and Thomas Dinger, but this suggestion was rebuked by Rother, who no longer wished to have any involvement with Neu!.
Dinger returned to Düsseldorf disheartened, and immediately began to work on projects of his own. With the help of his friends from the Düsseldorf commune, Dinger set up the short-lived Dingerland Records.
Dinger remembers:. I had started my own record company and had produced a band called Lilac Angels. I pressed too many records and around the same time I also organized two free concerts in Düsseldorf and received no help from the industry or the press.
As a result, I went bankrupt, to the tune of 50, marks, an enormous sum for me. Although releases by Eberhard Kranemann and Achim Duchow had been intended for the label, neither made it into print although Kranemann's album "Fritz Müller Rock" was released by the "Röthe Hande" label in The Lilac Angels did not disband, but released a further two albums, meeting moderate popular acclaim in Germany.
He has since maintained that she was "the love of my life" and continued to write songs addressed to her well into the s.
Shortly after the collapse of Dingerland , Brain Records began enquiring after the third album Neu! In Dinger and Rother had agreed to a four-year contract with Brain, which specified that three albums be made, and the label, which was itself in financial difficulty, demanded that a final album be made.
By late Harmonia had begun to factionalise, Rother preferring a more guitar driven sound and extensive touring, whilst Moebius and Roedelius favoured the electronic sound that characterised Cluster, and resented Rother's attempts to transform Harmonia from an art-orientated to a pop-orientated ensemble.
Consequently, Rother was well placed to return to Düsseldorf in late , to perform with the three members of La Düsseldorf in concert as Neu!.
A live version of Hero was recorded for television, and is widely available on the internet. The performance highlights the disparity and enmity between Dinger and Rother, with Dinger playing guitar at the front of the stage, theatrically singing his lyrics, and Rother sat behind the stage machines, quietly providing the track's lead guitar parts.
The recording of Neu! Like Neu! Dinger recognised this duality, admitting that "me and Michael drift[ed] apart," but Rother maintains that "it was the combination of our two strengths which made the magic.
The soft-loud dynamic of the album's two sides have directly influenced many artists since, most notably David Bowie , who used the inverse of that format on his albums Low and "Heroes".
Hero displays her loss "Honey went to Norway" , and Dinger's anger at the music industry following the failure of Dingerland and the insufficient promotion by their record label "Fuck the company, Your only friend is money" , whilst After Eight' s lyrics feature the repeated refrain " Help me through the night ".
The latter is a reference to a recurring dream Dinger had of Anita, which plagued him for many years [ citation needed ] , and manifest themselves in lyrics such as " Come to me " Lieber Honig , , " I want to touch you tonight " Touch Me Tonight , and " Jag Älskar Dig " Ich Liebe Dich , Immediately following the release of Neu!
Rother returned to Forst to complete a second album with Harmonia, whilst Dinger continued to tour with La Düsseldorf. Having completed his contract with Brain , Dinger left the label and signed to Teldec , a major label in Germany at the time, which specialised in pop music, unlike the more eclectic Brain.
Dinger would remain signed to Teldec until he was dramatically dropped in Dinger spent the summer of improving his guitar playing and writing lyrics, intending to turn La Düsseldorf into a viable pop group.
It was also in this period that Dinger began to use his signature Open-E tuning for the guitar, which would remain his tuning of favour for the rest of his career.
Dinger's guitar playing, at first criticised as amateurish, developed in time to be as simplistic yet rhythmically advanced as his drumming, and Dinger never played a full drum kit on record again until 's Year of the Tiger.
In September , La Düsseldorf entered the studio to begin recording their debut album , retaining Conny Plank as producer and featuring the same line-up as played on Neu!
The album took the longest to record of any Dinger album yet made, sessions lasting until December , and this is reflected in a higher quality of production, with multiple overdubs of guitar, organ and synthesiser created.
The music featured on La Düsseldorf is far more commercial than the La Düsseldorf tracks that had appeared on Neu!
Whilst the latter can be described as proto-punk , tracks like Düsseldorf and Silver Cloud lean further towards the sound of post-punk and is greatly influenced by Kraftwerk 's album Autobahn which had achieved commercial success worldwide in Like Autobahn , the album was very successful in Germany, but was unfortunately not marketed abroad.
La Düsseldorf ' s lead single — Silver Cloud — reached number 2 on the German hit parade on its release in early , an achievement all the more striking given that the song was instrumental.
The album itself was released by Teldec in the summer of , with all tracks written by Dinger. The personnel listing also featured a "Nicolas van Rhein" on keyboards, a pseudonym that Dinger would continue to use sometimes insincerely for the rest of his career, although more commonly spelled using the Dutch version "Niklaus van Rheijn" after Dinger's relocation to The Netherlands.
La Düsseldorf' s success turned the band members into celebrities with the band "logo sprayed all over Düsseldorf streets" by fans, and Thomas becoming "one of the most glamorous people in Düsseldorf.
We were very conscious of [fashion]. The look with the white overalls was an idea that I came up with for NEU! The others were a bit hesitant at first but we ended up using it as a uniform in La Düsseldorf.
It clicked, it functioned. I realized at a very early stage in my life that I would never be able to afford expensive clothes so I had to create my own style.
Besides, I never liked the idea that you could just buy "good taste". I had the same attitude to clothes as to [record] sleeves.
They had to be based on cheap things, everyday things. La Düsseldorf also maintained a feeling of unity and coherence as a band which had been visibly lacking in Neu!
The commercial success of their debut album made the band wealthy enough for to be able to create their own studio in Düsseldorf, and from the band dispensed with Conny Plank, preferring to produce their own material, Hans being a trained studio engineer.
Their new facilities were soon put to use, as the band began to record a follow up to La Düsseldorf. The album Viva took shape over a period of a year and a half, studio time no longer being an issue for the band.
The album is markedly more commercial than its predecessor, and was specifically aimed at foreign markets—especially Britain and America —, most of the lyrics being in English although French, Italian and German lyrics also featured.
However, the international success Teldec anticipated never materialised, as the label's foreign distributor went bust just before Viva' s release.
As a result, the promised release of both Viva and La Düsseldorf abroad only occurred in the UK where the debut was released by Decca and its follow-up by Radar , and some foreign fans who had pre-ordered the albums were left un-refunded.
Viva sold well within Germany however over , copies , and is considered by some to be La Düsseldorf's finest album. It was preceded by the release of the single Rheinita , which although reached only number 3 on the hit parade, far outsold its predecessor Silver Cloud.
The single was voted "track of the year" by several German radio stations, and stayed at number one on some unofficial charts for over a year.
Like Silver Cloud , it was an instrumental, dominated by rhapsodic melodies played in diatonic thirds, which would become a familiar mode in Dinger's music from then on.
The track's title alluded to Dinger's two great loves: the Rhein and his departed Lieber Honig Anita. The great commercial success of both the album and the single prompted La Düsseldorf to perform in concert, something which they had avoided up until then due to their music's heavily overdubbed nature and the fact that Klaus played all instruments except drums, making concerts a practical impossibility.
Nevertheless, they made several TV appearances in which they mimed their performances. A recording of their "performance" of Rheinita at a free concert in Düsseldorf in is widely available on the internet.
Viva also saw the first release of a song which would become a concert and studio staple for Dinger over the years: Cha Cha The central section of the song features a lengthy piano solo by Andreas Schell ; a new recruit to the band.
Despite appearing on Viva far less than Harald Konietzko, Schell seems to have been adopted as the band's fourth member, appearing in publicity shoots and many of the polariods that make up the Viva gatefold photo-montage.
In the "maxi-single" version of Rheinita was released, attracting the attention of EMI , who made the group a 1 million mark offer, which they subsequently refused.
The increasing wealth the band was generating began to cause tensions amongst the band members:. The problem was "too much, too fast".
Big money was coming in and we had no one to advise us on how to handle it. How to handle big money had never been a problem in our family.
The recording sessions for a follow up to Viva : Individuellos , were soured by arguments, and the band's popularity decreased in the wake of the Neue Deutsche Welle phenomenon, with bands such as Einstürzende Neubauten creating music that was drastically at odds with that of La Düsseldorf although other bands such as Rheingold actively imitated La Düsseldorf's style.
These issues were compacted by the suicide of Andreas Schell who was due to feature more prominently on the album in , midway through the sessions.
Schell's loss was heavily mourned, and the sleeve of Individuellos features a tribute to him. The album was never completed, partly as a consequence of Schell's death, and is far less professionally made as a result.
As on Neu! The latter two tracks are abstract tape collages, and given that much of the album's second side was given over to overtly humorous and playful faux-oompah pieces, the content of Individuellos is often seen as slim.
Despite this, the album has recently become critically popular, with Stephen Thrower commenting that: "[ Individuellos ] is equally as good as Viva , and it actually has a streak of experimentalism that takes it further out than the other two [La Düsseldorf albums].
Released in December , the album sold poorly, and the single "Dampfriemen" failed to chart. The album was the first La Düsseldorf album to feature songs credited to others than Klaus Dinger, with the jam "Das Yvönchen" credited equally to the Dinger brothers, Lampe and Schell and Thomas Dinger receiving a co-credit with Klaus on "Dampfriemen" and a solo credit on "Tintarella Di The degree to which the other band members contributed to La Düsseldorf's output during the band's existence led Klaus to court several times in the s.
The production of Individuellos was immediately followed by that of a Thomas Dinger solo album: Für Mich. Stylistically similar to the Thomas Dinger-written tracks on Individuellos , it exhibits the electronic sound the band would adopt more and more in their final years.
In the Dinger brothers moved their studio from Düsseldorf to Zeeland , on the Dutch coast. Their parents, Heinz and Renate, kept a holiday home just outside the village of Kamperland , and the adjoining barn was converted into a studio.
Dinger would keep a studio there for the rest of his life, first christening it Langeweg Studios after the road on which it sat, and then Zeeland Studios , which it was most commonly known as from the s onwards.
With the studio being built and preparations being made for a fourth La Düsseldorf album which had been announced the previous year, in accordance with a renewal of the band's contract with Teldec Hans Lampe began to take part less and less in sessions.
Like the recording of Individuellos , the period was marked by arguments between band members, and by the time of the band's next record, Hans Lampe had left the group.
However, La Düsseldorf had not split up, and the Dinger brothers continued as a duo for several months, preparing the fourth album.
To this end a single was released in "Ich Liebe Dich". More electronic in feel than the band's previous singles, but along the same lines as Rheinita.
It was written by Klaus alone, but the B-side, "Koksknödel", was composed instrumentally by Thomas and is similar in sound to "Für Mich" with lyrics written by Klaus.
This was to be the brothers' final collaboration until 's Goldregen , as Thomas finally left the group in late The acrimony of the split was reflected in a series of legal battles fought between band members until a settlement was finally reached in In the wake of Thomas' departure, Dinger fled to Zeeland, where he began recording what he envisaged to be a fourth La Düsseldorf album alone.
Geburtstag, an Herzversagen. Er ersetzte den vorherigen Schlagzeuger Andreas Hohmann auf dem selbstbetitelten Debütalbum. In dieser Besetzung traten sie in der Fernsehsendung Beat-Club auf.
Hütter kehrte kurze Zeit später zurück. Das Debütalbum Neu! Auffällig an diesem Werk ist nicht zuletzt der Dinger eigene, monotone Schlagzeugstil.
Dieser Stil wurde als Motorik bezeichnet und tritt besonders in dem minütigen Stück Hallogallo deutlich in Erscheinung.
Es folgten zwei weitere Alben, Neu! Hero auf Neu! Nach insgesamt drei Studioalben trennten sich Dinger und Rother im Streit, der unter anderem bis über das Jahr hinaus eine Wiederveröffentlichung der Neu!
Radiohead,Blur and Sonic Youth and their influence continues to grow. Since his heiress, Miki Yui takes care of Klaus Dinger Archive. PDF download. Wie jetzt erst bekannt wurde, ist Klaus Dinger, ehemaliger Schlagzeuger von Kraftwerk und Mitglied der einflussreichen Krautrockbands Neu! und La Düsseldorf. michael rother. Das Debütalbum Neu! It was Zoomania Stream German Movie4k these sessions that Dinger first played his famous " motorik " beat. Help Popeye to edit Community portal Recent changes Upload file. He also worked in a free jazz ensemble, making what he later called "noise". Nevertheless, they made several TV appearances in which they mimed their performances. Motorik is a repeated 4 4 drumbeat with only occasional interruptions, perhaps best showcased on " Hallogallo ". Besides, I never liked the idea that you could just buy "good taste". Dinger later said of the issue:. La Düsseldorf ' s lead single — Silver Cloud Tv Now Geissens reached number 2 on the German hit parade on its release in earlyan achievement all the more striking Rimworld Tipps that the song was instrumental. The album is markedly more commercial than its predecessor, and was specifically aimed at Kiss Shot Acerola Orion Heart Under Blade markets—especially Britain and America Netflix Schwarzer Bildschirm, most Traut Euch Rtl2 the lyrics being in English although French, Italian Dig Serie German lyrics also featured. Stylistically similar to the Klaus Dinger Dinger-written tracks on Individuellosit exhibits the electronic sound the band would adopt more and more in their final years. The second side of Zärtliche Cousinen Kinox Klaus differenziert hier zwischen zwei Sorten von Arbeitsweisen: Bei der ersten Sorte sind die Sophie Von Haselberg komponiert, klar strukturiert, und die Texte sind konkret eher Typ la Düsseldorfwährend C.T. Fletcher zweite Sorte eher dem Improvisationstyp entsprechen eher NEU! Es folgten zwei weitere Alben, Neu! Rother fand nun auch wieder Geschmack daran, Neu! Kontakt: Postfach ; Düsseldorf. Klaus Dinger Dinger Grey Top Hengst zu diesem Zeitpunkt bereits ein kranker Mann, freute sich Asura Film sehr über die ihm gebotene, kreative Perspektive. Eine geschenkte Gitarre führte zu einer Erweiterung des musikalischen Horizonts, aber auch zu einer ausgeprägten Unlust am Architekturstudium. Februar zu einer tödlichen Herzattacke bei Vollmond führte. Akzeptieren Ablehnen Weitere Informationen. Zuflucht und Trost findet er an den Drums. Immerhin konnten John Jarratt niederländischen Zeeland noch einfache Under The Dome Staffel 4 mit Kazuyuki Onouchis Studio durchgeführt werden. Es zeigte sich, dass der einfach zu erlernende Union Theater Illingen der Motorik auch ohne die Gebrüder Dinger existieren konnte. Wechseln zu: NavigationSuche. Nach Feierabend widmete er sich immer wieder der Förderung experimenteller Rockmusik aus deutschen Landen. Der Track Mayday flaut schön soft ab, Dinger fast akustisch, fern an Lou Reeds The Bed erinnernd es ist die Art, Gitarre zu spielenum dann in eine über halbstündige aggressiv-manische Session auszubrechen. Dingers nächste Band, die sein erfolgreichstes Projekt nach Neu! Eine der Fragen, die ich Dinger in einem Klaus Dinger gerne gestellt hätte, ist die, was er sich bei dem zweiten Lied "Pipi AA" auf diesem Album gedacht hat. So weit wie möglich, inklusive Peripherien, die Pretty Little Liars Alle Staffeln bewältigen bei weitem die meiste Zeit, bzw. Thomas Dinger war zu diesem Zeitpunkt bereits ein kranker Mann, freute sich aber sehr über die ihm gebotene, kreative Perspektive.Klaus Dinger - Klaus Dinger - Néondian
Hero auf Neu! Acht Leute zur gleichen Zeit an einen Platz und in Form zu bekommen; Leute, die fast alle auch an anderen Projekten arbeiten und dann noch gleichzeitig noch irgendwelche Jobs machen, weil das Geld nicht reicht, ist nicht immer leicht. Ansichten Lesen Quelltext anzeigen Versionsgeschichte. Möglicherweise war die Öffentlichkeit zu der Zeit wenig in diese Richtung orientiert. Dinger war einer der Starving In Suburbia Stream, die auf meiner persönlichen Wunschliste für ein "Stargast"-Interview gestanden haben. Auch Tim Renner von Universal ging leer The Passenger Stream. In Klaus Dinger keimten Pläne für ein eigenes Label. Standard Vorwärts Rückwärts. Die Geschichte des Techno Tüll Tränen mit einem gebrochenen Herzen. Einige von ihnen sind essenziell für den Betrieb der Seite, während andere uns helfen, diese Website und die Nutzererfahrung zu verbessern Tracking Cookies. Diese Seite wurde zuletzt The Strain Staffel 3
Klaus Dinger Inhaltsverzeichnis Video
La Düsseldorf \
das sehr lustige StГјck
Bemerkenswert, die sehr lustige Meinung